History of Music in Taiwan

The music Taiwan reveals the different culture of Taiwanese tribes. Taiwan experienced several economic, political scenarios and social, the Taiwan music reveals those issues in their own pattern. The music of this country has changed a combined pattern. However like other countries Taiwan has several renowned traditional music but still classical music and pop music are highly accepted by the populations of Taiwan. In fact, Taiwan is the essential spot of Mandopop (Mandarin pop music).

source of picture: english.people.com.cn

In the advent of the KMT-dominated Republic of China government in the year 1949, indigenous Taiwanese culture was suppressed, and Mandarin was popularized as the official dialect of the Republic of China. This dominated to the break in custom in part of the country, and ended in the year 1987, when martial law was lifted and a renewal of folk culture started.

The instrumental music comprises the multiple genres such as the Beiguan and Nanguan. Naguan initially originated from Quanzhou, while it is now the very popular in Lukang and it is establish throughout much of the island.

Taiwanese puppetry (hand-puppet theatre) and Taiwanese opera, the two genres of sight that are strongly associated to music, are extreme renowned, while the latter is frequently seen as the only truly local Han type of music still existing now.

Holo traditional music is most popular presently on the Hengchun Peninsula in the southernmost section of the country, where artists sing followed by the yueqin (moon lute), which is a kind of two-cord lute. While the Hengchun yuechin plays only fives tones, the pentatonic music can become different and difficult when mixed with the seven tones of Taiwanese Hokkien. The popular traditional singers include the following such as Yang Hsiuching and Chen Da.