Western Classical Music of China

Whereas the groups organized by, running a solely and nearly always exclusive to the colonial community in China are recorded from the ear...

Whereas the groups organized by, running a solely and nearly always exclusive to the colonial community in China are recorded from the early days of the international settlement in Shanghai in 1850s and a Russian group that was in operation in Harbin from the early 20th century, the starting of a special classical music tradition in China lie with the first foreign trained Chinese conductor, like Zheng Zhisheng aka (romanized) Yin Zizhong, Zheng (Yin or Wan depending on romanization) and was raised in China’s Guangdong area and affected by the western church music from an early age, studying in Lyons and Paris before returning to China in the year 1930’s began to employ the first Chinese conductors of  the Chinese groups of the Chongqing symphonic groups .
source of picture: blogs.wsj.com


The radical spirit of Yin Zizhong’s (or romanized Wan-Chi Chung’s) pattern has been continued by the first generation of singers immediately following the accession of the Chinese Communist Party to power that is known as Li Delun and Cao Peng. The former provided the driving force and often the life force that kept the tradition alive through the Mao years, especially in his accepted city of the Beijing, and the latter has been instrumental in maintaining the high standard of the symphonic music, as well as working hard for the famous of the tradition for further into the fabric of Chinese culture, over his long education, which continues to the present.

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