Northern Sudanese lyrical music

The northern Sudan has a custom of lyrical music that uses slanting metaphors, and has traditionally been utilized as segment of the Sudanese independence trend and in other political trends. The tambour or the tanbura (a lyre) which was initially utilized as accompaniment, but this was substituted by the oud when it was brought from Arabia. The technique of playing the oud remains to use a plucking pattern established with the tambour, creating a unique and typically sound. Particularly the renowned one is the late Nubian composer, oud player, tar player, and vocalist known as Hamza El Din.

source of picture: article.wn.com

During the 1930s, a series of music industries was launched in Sudan, among them is the Gordon Memorial College Musical company, and also include Mohammed Adam Adham, whose Adhamiya was the one of the earliest formal Sudanese works, and it is still frequently played.

The early innovators were extremely singer-songwriters which include the creative Karoma, author of many hundred chants, the innovative Ibrahim al-Abadi and Khalil Farah, who was lively in the Sudanese independence trend. Al-Abadi was recognized for an unorthodox pattern of combining tradition wedding poetry with music. Other songwriters of the period also include Mohammed Wad Al Faki, Mohammed Ahmed Sarror, Al-Amin Burhan and Abdallah Abdel Karim. Al Faki was one of the artists from the region within the Kabou-shiya, an area recognized for traditional music.