Cadence-lyspo or Dominica kadnas in Martinique

The greatest powerful person in the support of Cadence-lypso was the Dominican group Exile One who lived on the island of Guadeloupe and featured mostly of the cadence rampa of Haiti and calypso music from English speaking Caribbean. This was pressed in the 1970s by groups of Dominica and it was the first style of Dominica music to reach the international acclaim. Cadence-lypso is another term for cadence in Dominica.

Dominica cadence music has changed under the effect of Dominica and Caribbean/Latin rhythms as well as the rock and roll, funk and soul music from the United States. In the end of 1907s, Gordon Henderson described cadence-lypso as a synthesis of Caribbean and African musical styles combining the traditional with the current.

Apart from the Exile One, other ensembles include the Grammacks, Black machine, Black Roots, Naked Feet, Mantra, Belles Combo, Black affairs, Mignighte Groovers, Wafrikai, Liquid Ice and Milestone while the greatest popular singers include Bill Thomas, Gordon Henderson, Chubby Marc, Janet Azouz, Linford John, Sinky Rabess, Jeff Joseph, Tony Valmond, Anthony Gussie, Ophelia and Mike Moreau.

Exile one that lived in Guadeloupe is a leading Dominica kadnas group of the 1970s which was powerful in the development of caribban music. Gordon Henderson who is the band leader and initiator coined the name cadence-lyspo in his full band which he used as the full-horn section and he was the first to use the synthesizers in kadans. Many of the mini jazz from Haiti and the French Antilles pursue this pattern. Exile one was the most supported creole band of the Caribbean and exile one was the first to sign a production agreement with major label Barclay records. The first to export kadnas music to the four region of the world: Indian Ocean, Japan, Europe, African, North American and Cape Verde Island.