Singing in French Polynesia

The first himene (which means singing) was established at the early 20 th century and is a sort of combination of Polynesia folk polyphon...

The first himene (which means singing) was established at the early 20th century and is a sort of combination of Polynesia folk polyphonic singings and religious hymns brought by the first British missionaries. The himene tarava, the himene ru’au and the ‘ute are man himene types.
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The himene ru’au is sang acapella (without music) on a slow tempo by a group composed of a combined chorus and soloists sitting in semicircle, facing the chorus chief. The himene tarava is generally gathered from 60 to 80 singers from the same district or the same protestant parish. Composed of 6 to 10 different parts, himene traava is by definition of great difficult: men producing bass and songs tones, men and women combining their voices to sing the text or singing in offbeat, women singing only the first sentence to launch the melody, soloists forming vocalizations and modulations, etc. and finally, a group chief that knows all the parties. When he feels that the parties has reached a perfect harmony, he turns back to face the people and adds his voice to the structure.

The ‘ute is a singing that often uses a satirical tone, to the great happiness of the spectators. This is interpreted on a high tempo by two or three persons with traditional or more recent instruments (like ukulele, harmonica, guitar and accordion).

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