Indian Interaction with non-Indian Music
In the late 1970s and the early 1980s, the rock and roll fusions with Indian music were popular throughout Europe and North America. Ali A...
https://worldhitz4u.blogspot.com/2014/01/interaction-with-non-indian-music.html
In
the late 1970s and the early 1980s, the rock and roll fusions with Indian music
were popular throughout Europe and North America. Ali Akbar Khan’s in the year
1955 performance in the United States was possibly the beginning of this
movement.
source of picture: en.wikipedia.org
Jazz
pioneers like John Coltrane who recorded a composition entitled India during
the 1961 sessions for his song Live at the Village Vanguard (the track was not
released until the year 1963 on Coltrane’s album Impressions) also embraced
this mixture. George Harrison (of the Beatles) played the sitar on the song Norwegian
Wood (this Birds has Flown) in the year 1965, and sparked interest from
Shankar, who later took Harrison as his trainee. Jazz inventor Miles Davis
recorded and performed with artists such as Khalil Balakrishna, Bihari Sharma
and Badal Roy in his post- 1968 electric groups. Virtuoso jazz guitarist John
McLaughlin spent many years in Madurai learning Carnatic music and incorporated
it into several of his acts including Shakti that featured prominent Indian
artists. Other western musicians like the Incredible String band; the Rolling
Stone, Grateful Dead, the Move and Traffic soon incorporated Indian influences
and instruments and added Indian performers. Noble Grateful Dead frontman Jerry
Garcia joined guitarists Sanjay Mishra on his classic CD Blue Incantation
(1995). Mishra also wrote a new score for French Director Eric Heumann for his
film Port Djema in the year 1996 that won best score at the Hamptons film
festival and the Golden Bear at Berlin. In the year 2000 he recorded rescue
with drummer Dennis Chambers Carlos Santana, John McLaughlin and in the year
2006 Chateau Benares with guests DJ Logic and Keller Williams (guitar and
bass).
In
the late 1980s, Indian-British musicians mixed Indian and western traditions to
make the Asian underground. Since the 1990s, Canadian born artist, Nadaka, who
has spent most of his life in India, has been making music that is an acoustic
mixture of Indian classical music with western patterns. One such singer who
has merged the Bhakti sangeet tradition of India with the western non-Indian
music is Krishna Das and sells music records of his musical sadhana. Another
instance is Indo-Canadian artist Vandana Vishwas who has experimented with the
western music in her song Monologues produced in the year 2013 January.
In
the new millennium, American hip pop has featured Indian filmi and bhangra. The
normal hip pop musicians have sampled songs from Bollywood movies and have
collaborated with the Indian musicians. Instances include Erick Sermon,
Redman’s React and Timberland’s, Slum
Village’s Disco and Truth Hurts hit song addictive that samples a Lata
Mangeshkar song and the black eyed peas sampled Asha Bhosle’s song Yeh mera Dil
in their hit single Don’t Phunk with my
Heart. In the year 1997, the British band Cornershop paid tribute to Asha
Bhosle with their song Brimful of Asha that became an international hit.
British-born Indian musician Panjabi MC also had a Bhangra hit in the United
States, with Mundian to Bach Ke which featured rapper Jay-Z. Asian Dub
foundation are not huge normal stars, but their politically charged rap and
punk rock influenced sound has a multi-racial viewer in their local United
Kingdom. In the year 2008, international star Snoop Dogg appeared in a song in
the film Singh is Kinng. In the year 2007, hip hop producer, Madlib produced
Beat Konducta Vol. 3 and 4: Beat Konducta in India; an album that heavily
samples and is inspired by the music of India.
Sometimes,
the music of India will mix with the folk music of other countries. For
instance, Delhi 2 Dublin, a band based in Canada, is known for mixing Indian
and Irish music, and Bhangraton is a mixture of Bhangra music with reggaeton,
which itself is a combination of hip pop, reggae and the traditional Latin
American music.
In
a more current instance of Indian-British mixture, Laura marling along with
Mumford and Sons collaborated in the year 2010 with the Dharohar Project on a
four song EP.