Popular Music of Ethiopia
Tilahun Gessesse is one of the most famous singers in Ethiopia during the local scene’s Golden Age in the year 1960’s, Ethiopia is one of ...
https://worldhitz4u.blogspot.com/2014/01/popular-music-of-ethiopia.html
Tilahun Gessesse is one of the most
famous singers in Ethiopia during the local scene’s Golden Age in the year 1960’s,
Ethiopia is one of the musical traditional country, although the famous music is
played, recorded and listened to, most of the musicians also sing their
traditional songs and most of the people choose to listen to both the famous
and the traditional patterns, the long-standing well-known musical tradition in
Ethiopia was the brass bands, it is imported from Jerusalem in the way of forty
Armenian Orphan (Arba Lijoch) during the time of Haile Selassie. This band
arrived in Addis Ababa on September 1924 and became the first official group of
Ethiopia. By the end of World War II, large group followed singer, the most
prominent groups were the Army Group, Police group and the Imperial Bodyguard
group.
source of picture: ethiopiaforums.com
From the year 1950 to 1970, the
Ethiopian famous musicians include Bizunesh Bekele, Mahomoud, Ahmed Alemayehu
Eshete, Hirut Bekele, Ali Ayalew Mesfin, Kiros Alemayehu, Muluken Melsesse and
Tilahun Gessesse while the well-known folk musicians like Alemu Age, Kasa
Tessema, Asnaketch Worku, and Mary Armede. Although the popular powerful musicians
of that time however, was Ethio jazz inventor Mulatu Astatke and Amha records,
Kaifa record and Philips-Ethiopia were prominent Ethiopian record labels during
that period, since 1997, the Buda Musique’s Ethipiques series has complied,
several of these single and albums are on the compact disc.
In the year 1980, the Derg controlled
Ethiopia and migration and became almost the impossible, the musicians during
that time include the Ethio Stars, Wallias band and the Roha band, though the
composer Neway Debebe was the most famous, he assisted to fame, the use of
seminna-werq (wax and the gold, a poetic form of double entendre) in the music
(the past it is only used in qine, or poetry) that often enabled the singer to
criticize the government without upsetting the censors.