Dholak: Bangladesh musical instrument
The dholak also called the dhool in the Netherlands and Suriname is a Southe Asian two-heasded hand drum. The musical instrument may have ...
https://worldhitz4u.blogspot.com/2013/11/dholak-bangladesh-musical-instrument.html
The dholak also called the
dhool in the Netherlands and Suriname is a Southe Asian two-heasded hand drum.
The musical instrument may have traditional cotton rope lacing or
screw-turnbuckle tensioning or both will be combined. In the cotton rope
lacing, steel rings are used for tuning. The dholak is well-known as a folk
musical instrument that lacks the exact tuning and playing methods of the
‘tabla’ or the ‘pakhawai.’ The drum is pitched; this depends on the size of the
instrument and it is pitched with an interval of a perfect fourth or perfect
fifth between the two head of the drum.
source of picture: lingsiewwoei.in-action.info
This musical instrument is
widely used in qawwali, kirtan, Marathi and bhangra. Dholak was formerly used
in classical dance. Indian children sing and dance to the tone of the
instrument during their pre-wedding festivities and it is also used in filmi
sangeet; indian film music, inchutney music, baithak gana, tan singing and the
native Indian music of Jamaica, Suriname, Guyana, Trinidad and Tobago where it
was brought by their immigrants. The dholak’s higher pitched head is a simple
membrane while the bass head that is played with the left hand has a compound
Syahi to the lower pitch and allow the typical dholak sliding sound. Most times,
the caked left over of mustard oil pressing to which some sand and oil or tar
may be included.
The drum can be played
while either being kept on the laps or standing, slung from the shoulder or
waist or pressed down with one knee while the player is sitting on the floor.
The shell of the musical instrument is sometimes produced from ‘sheesham wood’
although cheaper dholak may be manufactured from any wood such as the mango
wood. In some style of playing the instrument, an iron is thumb is used to give
out a different rim sound, in some other styles, all fingers are used. Dholak
masters are often skillful at singing and usually provide a primary
entertainment or lead drumming for a dance group. On large dholak like the
dhols the high-pitched head can be played with the use of a thin long stick of
rattam or bamboo while the lower-pitched drum head can be played using thicker
and angled stick.
The dholak is usually a
bit narrower in diameter and uses tabla-style Syahi masala on the treble skin
of the instrument. The instrument which is also known as the ‘naal’ has its
treble skin stitched onto an iron ring in a similar manner as the East Asian
Janggu or Shime-daiko drums which tights the head before it is fitted. The bass
skin is the same with that of the an ordinary dholak that is being fitted on to
a bamboo ring, although sometimes they may have a kinar and press folded Gaira
as seen in tabla to help it withstand any extra tension. Heavy hard wood dholak
has been sensed to produce better and refined sound more than those ones carved
of cheap and unseasoned sapwood.