Tanpura: India musical instrument
The tanpura is a long-necked plucked lute. It is a stringed musical instrument found in various forms in the Indian music culture. The bod...
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The tanpura is a long-necked plucked
lute. It is a stringed musical instrument found in various forms in the Indian
music culture. The body of the musical instrument resembles that of the sitar,
but the instrument has no frets, as the strings of the musical instrument are
always plucked at their full lengths. The musical instrument has four to five
wire strings that are plucked one after another in a regular pattern to
manufactures harmonic resonance on the basis note or keynote. The musical
instruments form the root of the ensemble and certainly of the music itself, as
the musical instrument creates an acoustic dynamic reference chord from which
the ragas get their unique character, color and flavor. The history of the
musical instrument first come from a quote from Shri A.D. Ranade: “the first
unmistakable reference to the musical instrument is in Sangit Parijat. It is
neither mentioned by the earlier texts nor does the instrument fins a place in
sculptures.” An electric version of the instrument, a small box that imitates
the sound of the tanpura, is normally used in the modern Indian classical music
performances rather than in addition of a tanpura.
source of picture: musicclassonline.in
The musical instrument is seen in the
various sizes and pitches; the larger size, known as the male and the smaller
size of the instrument known as the female for vocalists. The smaller version
of the instrument is used for accompanying the sitar or sarod. The players of
the larger version of the musical instrument pitch their tonic note at C#; the
players of the female version of the instrument often pitch theirs to 5th
higher, but these tonic notes may differ according to the preference of the
player and the singer, as there is no absolute and particular pitch-reference
in the Indian classical music systems. The male version of the instrument has
an open string length of about 1 meter, and the female version of the
instrument is ¾ of the male version of the instrument. The standard tuning of
the musical instrument is 5-8-8-1 or the Indian sargam PA-sa-sa-SA.
The name of the instrument is derived
probably from ‘tana’, referring to a musical phrase and ‘pura’ meaning full or
complete. The musical instrument is distinctive in many ways. The tanpura does
not partake in the melodic part of the music, but it helps and sustains the
music by providing a colorful and dynamic resonance field based on one precise,
the basic note. The musical instrument also is not performed in rhythm with the
music, as the exact timing of plucking a cycle of four strings in a constant
loop is a determinant factor in the resultant sound of the instrument.
The special overtone –rich sound and
the loud movement in the inner resonance is reached by applying the principle
of Jivari that creates a sustained buzzing sound in which specific harmonics
will resonate with focused clarity.
The tanpura is designed in three
various patterns;
The miraj style is the favorite form
of the instrument for the Hindustani players. The instrument is often between
three to five feet in length. The instrument has a carved rounded resonator
plate and a long hollow straight neck; in section that resembles a rounded
capital D. the round lower chamber to which the table that is connecting the
heel-piece and the neck of the instrument are attached is cut from a selected
and dried gourd. The wood used in the production of this design of the tanpura
is either tun or teak; the bridges of the instrument are often cut from one
piece of bone.
The second style is known as Tanjore
style; this is a southern Indian style of the musical instrument that is widely
used by Carnatic music players. This style has a different shape and style of
decoration from that of the miraj style, but is much same in size. No gourd is
used on this instrument, but spherical part is gouged out os a solid block of
wood. The neck of the instrument is smaller in diameter. Jack wood is generally
used and the bridges of the instrument are cut from one piece of rose wood.
Tamburi is the third style of the
instrument; it is small-scale musical instruments that are used for
accompanying instrumental soloists. This design of the instrument is 3 to 3
feet long, having a flatbed-pan type wooden body with a little bit carved
table. This instrument may have from four to five strings. The musical
instrument may be tuned to higher octave and are the preferred instrument for
accompanying solo players by string-playing artists, as the transparent sound
and the lighter sound of the instrument does not drown out the lower register
of a sitar, a sarangi or a sarod. To simply imply that the tanpura supplies the
drone in the tonic key is accurate to that degree it is an irony.