Latin music of United States

Latin music that was originated from Cuba includes mabo, chachacha and rumba and also the Mexico imported music include the mariachi and ranchera had brief years of fame during in the 50s. the earliest renowned Latin music in the United States came with the rumba in the early 1930s, and it was accompanied with calypso in the mid-40s, mambo that came in the late 40s and in the early 50s, chachacha and charanga came in the mid-50s, bolero came during in the 50s and finally boogaloo came in the mid-60s, while Latin music combined with jazz in the same year, which result the Latin jazz and the bossa nova combination as cool jazz.

The initial Mexican-Texas pop artist was Lydia Mendoza, who began recording in the year 1934. This was not until in the 40s, however, that musica nortena became supported by female duets such as Las Hermanas Mendoza and Carme y Laura, who had a cord of local hits. The next year saw emergence of the Chelo Silva, regarded as the Queen of the Mexican Bolero, who sang romantic pop songs.

The 50s saw further invention in the Mexican-Texan community, as the electric guitar, drums and rudiments of rock and jazz were added into the conjunto. Valeria Longoria was the initial main artist of conjunto, recognized for brining Colombian cumbia and the Mexican rancerato conjunto ensembles. Later, Tony de la Rosa improved the conjunto the big ensembles by adding the electric guitars, amplified bajo sexton and a drum kit and gradually down the frenetic dance rhythms of the pattern. During in the mid-50s, bandleader known as Isidro Lopez used the accordion in his ensemble, thus starting the improvement of the Tejano music. The rock-influenced Little Joes who was the first main artists of this scene.