Cantopop Music of Hong Kong

Base on the development of the famous music in the 1960s, Hong Kong’s musical output was characterized by the Cantonese opera and English ...

Base on the development of the famous music in the 1960s, Hong Kong’s musical output was characterized by the Cantonese opera and English pop. Prominent singers like Cheng Kuan-min, Tang Kee-chan. The godfather of Cantopop Roman Tam establishes important strides in the industry. The youth started to gravitate towards the Cantonese pop in the 70s.
source of picture: english.sina.com

Around the year 1971, Sandra Lang was invited to sing the first Cantonese TV song, the Yuanfen of a wedding that cries and laughs. This song was the making of the legendary songwriter Joseph Koo and the songwriter Yip Siu-dak. The genre was released to exceptional levels with virtually every TV drama using localized cantopop songs. Another big name composer was Paula Tsui.
In 1980s, the flow of the Hong Kong pop wave increased rapidly. The music scene was characterized by pop icons Anita Mui, Leslie Cheung, Alan Tam, and Danny Chan. The industry used Cantopop songs in TV drama and movies, with some of the biggest soundtracks coming from films like a better tomorrow. There were also several Cantopop songs that were reformed from Japanese music.

While TV theme songs are still a significant part of the Hong Kong music, the arrival of the Four Heavenly Kings took Cantopop a stage higher. Presently, Cantopop is leading form of music with strong associations to pop tradition. Record companies have had a majority stake in the part, and Hong Kong is measured with the central hub of Cantopop in the world.

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