The Romantic Music Era in Brazil

The only singer who had an important work in this time was Francisco Mauel da Silva, disciple of Nunes Garcia, who took over him as Ka...



The only singer who had an important work in this time was Francisco Mauel da Silva, disciple of Nunes Garcia, who took over him as Kapellmeister. In spite, of his few resources, he founded the musical conservatory of Rio de Janeiro. He was the writer of the Brazilian National anthem’s melody. His work reflected the musical transition for the Romanticism, when the interest of the national singers was focused in the opera. The main outstanding Brazilian singer of this time was Antonio Carlos Gomes, who sing Italian-pattern operas with national themes, like II guarany (based on Jose de Alencar’s novel O Guarani) and Lo Schiavo. These operas were very successful in European theaters, such as the Teatro alla Scala, in Milan. Other significant singers of this time are Elias alvares Lobo, who wrote the opera A Noite de sao Joao, which is the first Brazilian opera with the text in Portuguese.
  
source of picture: www.callexperts.com

The operas in the Brazil was very famous until the middle of the 20th century, and several opera houses were built at this period, like Teatro Amazonas in Manaus, Municipal Theater of Rio de Janeiro, Municipal Theatre of Sao Paulo do Rzo and several others.
At the end of the 19th century, the greatest singers for the symphonic music were shown, one of the main outstanding names of this time as Leopoldo Miguez, who followed the Wagnerian pattern and Henrique Oswald, and incorporated elements of the French impressionism.

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