Traditional Music of Ghana

The traditional musicology of Ghana may be grouped geographically between north Ghana and the fertile, forested southern coasted Ghana pop...

The traditional musicology of Ghana may be grouped geographically between north Ghana and the fertile, forested southern coasted Ghana population by Ghanaian people speaking Kwa languages such as Akan.
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The north music is a combine melodic composition on chord instruments like the kologo (xalam) and the gonjey), wind instruments and voice, with poly-rhythms clapped or played on the talking drum, gourd drums, or the brekete. The tradition of gyil music (balafon) is also common. Music in the northern patterns is mainly set to a minor pentatonic scale and melisma plays an important part in melodic and vocal patterns, along with a long history of griot praise-singing traditions.

The music of the coast is associated with the social functions and relies on difficult polyrhythmic patterns played by drums and bells as well as harmonized song. An exception to this rule is the Akan tradition of singing with the Seperewa harp-lute, a present laxed genre which had its roots from the griot traditions of the north.

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