Opera Music of Italy
The opera originated in Italy in the late 16 th century during the period of the FlorentineCamerata, through the centuries that followed...
https://worldhitz4u.blogspot.com/2014/01/opera-music-of-italy.html
The
opera originated in Italy in the late 16th
century during the period of the FlorentineCamerata, through the centuries that
followed, the opera culture established in Venice and Naples; the operas of
Claude Monteverdi, Alessandro Scarlatti and later, of Gioacchino Rossini,
Vincenzo Bellini and Gaetano Donizetti flourished. Opera has remained the
musical way most connected with the Italian music and Italian identity. This
was most obvious in the 19th century through the works of Giuseppe
Verdi, and icon of Italian tradition and pan-Italian unity, Italy retained a
Romantic operatic musical tradition in the early 20th century,
exemplified by composers known as Giovane Scuola, whose music was anchored in
the past century, which include Leoncavallo Ruggiero, Pietro Mascagni, Arrigo
Boito, and Francesco Cilea. Giacomo Puccini, who was a realist composer, has
been described by Encyclopedia Britannica Online as the man who virtually
brought the history of Italian opera to an end.
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After
the end of the word war I, though, opera failed in comparison to the famous
heights of the 19th century and the early 20th century,
causes included the general cultural shift away from Romantic and the rise of
the cinema, which became a major source of entertainment. A third cause is the
fact that internationalism had brought the current Italian opera to a state
where it was no longer Italian. It was the opinion of at least one prominent
Italian musicologist and critic, Fausto Terrefranca who, in a 1912 leaflet
entitled Giaccomo Puccini and international opera, accused Puccini of
commercialism and of having abandoned Italian cultures. Traditional Romantic
opera reamined famous; indeed, the lead opera publisher in the early 20th
century was Casa Ricordi, which focused almost exclusively on the well-known
operas until in the 1930s, when the company allowed more unusual composers with
less normal appeal. The rise of relatively new publishers like Carisch and
Suvini Zerboni also helped to fuel the expansion of Italian opera. Opera
remains a main part of Italian culture; renewed interest in opera all over the
sectors of Italian society started in the 1980s. Respected composers from this
period include the popular Aldo Clementi and the younger peers like Lorenzo
Ferrero and Marco Tutino.