Music broadcasting in Australia and overveiw of Australian Jazz
Music broadcasting has played an significant role in providing classical music and jazz to the Australian public prior to the introductio...
https://worldhitz4u.blogspot.com/2013/11/music-broadcasting-in-australia-and.html
Music broadcasting
has played an significant role in providing classical music and jazz to the
Australian public prior to the introduction of FM into the country, the ABC
produced classical music programs which were broadcast through their local
stations Professor A.E Floyd’s program music Lover’s Hour was heard for over 25
years, beginning first on the local Melbourne ABC station in 1944 before being
broadcast nationally.
The
national FM music network ABC classic FM was created in 1976 to broadcast
classical music, jazz, operas, recitals and live concerts from Australia and
overseas, music analysis progams and news about the music activities.
The
history of jazz and related genre in Australia spread back into the 19th
century. During the gold rush locally formed blackface with white actor
musicians in blackface minstrel troupes began to tour Australian, touring not
only the capital cities but also many of the booming regional towns like
Ballarat and Bendigo Minstrel orchestra music featurics polyrhythms in the pre
classic banjo playing and clever percussion breaks. A more jazz like form of
minstrelsy reached Australia in the late 1890’s in the form improvisatory and
syncopated coon song and cake wall music two early forms of ragtime.
In
the mid 1920’s phonograph machines, which increased contact with popular music
and visiting white America dance musicians had firmly created jazz and it
implies that jazz inflected modern dance and stage music in Australia. The first
jazz in Australia is Mastertouch piano rolls recorded in Sydney from around
1922 while jazz began to be recorded on disc by 1925, first in Melbourne and
later to Sydney.
After,
the end of the world war 11, jazz separated into two strands in Australia; one
was based on the earlier collectively unpremeditated called Dixieland or
traditional jazz.
The
1970’s brought tertiary jazz education course and continuing innovation together
diversification in jazz which by the late 1980’s included world music fusion
and contemporary classical and jazz crossovers. The problem towards electric
style fusion has continued with ensembles like the Catholics, Australian Art
orchestra, Tongue and groove, australysis, Wanderlust, the Necks and many
others. However, the normal modern jazz and Dixieland still have the strongest
following and patron still flock to hear celebrity mainstream artists who have
been around for decades, such as the one night stand players Duugland Shaw and
Blair Jordan, stalk players Don Burrows and trumpeter James Morrison and
sometimes, and the celebrity pioneer of traditional jazz in Australia, Graeme
Bell. A non-academic genre of jazz has also evolved with a harder street edge
style. The Conglomerate, the Bamboos, Damage, Cookin on three burners, John
Mcalls Black Money are examples of such, also Andrew Bisset, Black Roots White
Flowers, Golden press, in 1978 Bruce Johnson.