Birth of Fuji Music in Nigeria
Apala, a traditional pattern from Ogun state, it is one of the Yoruba state in Nigeria, it became extremely famous in the 1960s, led by ar...
http://worldhitz4u.blogspot.com/2014/02/birth-of-fuji-music-in-nigeria.html
Apala,
a traditional pattern from Ogun state, it is one of the Yoruba state in
Nigeria, it became extremely famous in the 1960s, led by artists such as Haruna
Ishola, Ayinla Omowura, Sefiu Ayan and Kasumu Adio. Ishola who is one of the
most Nigeria’s consistent hits producers during 1955 and his death in 1983, his
apala record songs which alternated between slow and emotional and rapid and
energetic. His lyrics were made up of improvised praise and passages from the
Quran as well as traditional proverbs. His work then became a formative
influence on the establishing fuji pattern.
source of picture: goldmyne.tv
Later
in 1960s saw the emergence of the first fuji ensembles. Fuji was named after
Mount Fuji in Japan, totally for the sound of the word, according to Alhaji
Sikiru Ayinde Barrister. Fuji was a mixture of apala with the ornamented,
free-rhythmic vocals of ajisari dedicated artists and was accompanied by the
sakara, a tambourine-drum and Hawaiian guitar. Among the earliest genres
musicians were Ayinla Omowoura abd Haruna Ishola; Isohla produced many hits
from the late 50s to the early 80s who became one of the country’s greatest
popular artists. Fuji increased steadily more famous between the 60s and 70s
and became closely related with Islam in the process.
Fuji
has been referred as juju without guitars; ironically, Ebenezer Obey once
referred juju as mambo with guitars. Though, at its origins, fuji is a
combination of Muslim traditional were music ajisari songs with aspects of
apala drumming and vocal songs and brooding, philosophical sakara music; of
these elements, apala is primary basis of fuji. The first musicians of fuji
were the opposing bandleaders Alhaji Sikiru Ayinde Barrister and Ayinla
Kollington. Alhaji Sikiru Ayinde Barrister began his fuji career in the early
70s with the Golden Fuji Orchestra; though he had sung Muslim songs since he
was at the age of 10 years old. He first changed his orchestra’s name to Fuji
Londoners when he came back from a tour to London, England. After a very long
period, his hits such as Orilonise, Fuji Disco/Iku Baba Obey, Suuru and Oke
Agba and later again changed the group’s name to Supreme Fuji Commanders with a
bang Orelope that went platinum immediately. Ayinde’s opposing albums such as k
obo simi lo’run mo e, in the 80s he released ijo yoyo, Lakukulala and American
megastar and many others of his successful albums.