Goblet drum: Bulgarian musical instrument
The goblet drum which also be called chalice drum, darbuka debuka, kratrom or tablah is a single head membranophone with a shape of a larg...
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The goblet drum which also be called
chalice drum, darbuka debuka, kratrom or tablah is a single head membranophone
with a shape of a large cup and are mostly used by the people of the middle
east, north Africa and eastern Europe. The origin of the term darabukka has
been assumed to be derived from the word darba which is an Arabic language
which means to strike. The original use of the goblet drum by the Babylonians
and the Sumerians has been traced to be as far back as 1100 BCE. On Celebes one
large form serves as a temple musical instrument that is set on the floor when
performed and could be a survival of the ancient use of the drum. There has
been some argument on the fact that they actually emanated from Europe and were
brought to the Middle East by nomadic Celtic tribes.
source: euromusicuk.co.uk
The
goblet drum are being played under the arm or resting it on the player’s leg in
the Eastern and North-Africa and with a much lighter touch and quite different
strokes than the drums that are being played by the bare hands in the western
part of the Africa. There are two main type of the goblet drum, the style of
the Egyptians which has a rounded edge around the head and the Turkish style
which reveals the edge of the head. This exposed edge permits a closer access
to the hand so finger-snapping technique can be possibly done. But the rigid
edge does not encourage the swift roles possible with the Egyptian style. Some
drums are produced with strap mounts so that the drum may be attached over the
shoulder to enhance playing while standing or dancing. It produces deep and
rich sound while it is being played lightly with the palms and the fingertips.
There are three main sounds produced by the goblet drum, the first of them is
called “doum” “tek” and “pa”. the doum is the deep bass sound that is being
produced when a player strike the head near the center with the length of the
fingers and palm and takes off the hand in order to give out an open sound. The
tek is a higher-resin sound that is being produced when a player hits the near edge
of the head with his fingertip this sound can also be called “ka” when a player
strikes it with the secondary hand. The pa is produced by resting swiftly the
hand on the head in order not to allow an open sound. Another technique that
has been in use by the people of Greece, Bulgaria, and Egypt is to tap with the
fingers of one hand and use a thin stick on the other hand.