Doedelzak: Belgium musical instrument
Doedelzak is the common name that is used for bagpipes and the also the Flemish speaking northern parts of Belgium that is the region wher...
http://worldhitz4u.blogspot.com/2013/12/doedelzak-belgium-musical-instrument.html
Doedelzak
is the common name that is used for bagpipes and the also the Flemish speaking
northern parts of Belgium that is the region where Breugel resided and worked.
Formally, ‘pijpzak’ and ‘moezelzak’ were the most common. The two name latter
survive in Piposa from Picardy and Muchosa in the real Belgian province of
Hainaut. According to some sources, muse was once the earliest general name for
this family of instruments in a large part of Europe and survives itself in the
real French general name of ‘Cornemuse’ for all bagpipes.
source of picture: www.keithmusic.com
The term pijpzak is used
to describe a type of two-droned Flemish bagpipe, as shown in the artwork of
Pieter Bruegel the Elder and so many others. The musical instrument is held
rather in front of the player more that under the arm. The musical instruments
which have single reeds are usually a fifth apart and are in the same stock and
face up or a little bit forward. This will depend on the individual position of
the player. The chanter possesses a conical pierce and a double reed. At first
sight, the pijpzak is very similar in design to the cornemuse du centre of
Central France. Meanwhile, the cornemuse du centre has much more specific types
in the number of drones whether they have a common stock or not and their
arrangement. The drones can lean backwards over the shoulder or even sideways
over the arms or both and the small drone can sit next to the person that
chants the slogan.
A very distinct difference
between the pijpzak and the cornemuse du centre is the chanter. Modern musical
instrument adopted the regularized chanter of the cornemuse du centre but the
main instrument in Breugel’s paintings had a different chanter altogether. It
possessed no thumb hole and has some particularities in the finger holes and
the kind of reed that is needed. Only one instrument of the period was
incompletely preserved and it is now in the Kunt Historisches Museum in Vienna
ad further investigations on the instrument was restricted. Meanwhile, many
years ago, a very exact measurement has been executed and all further
developments depend on the information.