Traditional Music of Burkina Faso
The Djeli, a cast of the courtly praise composers in Burkina Faso, who function like the griots elsewhere in West Africa at every ruler’s ...
http://worldhitz4u.blogspot.com/2013/12/traditional-music-of-burkina-faso.html
The
Djeli, a cast of the courtly praise composers in Burkina Faso, who function
like the griots elsewhere in West Africa at every ruler’s funeral they read the
names and histories of the past rulers, they intervene in people’s personal
affairs and performs at the social gatherings. The Mossi and the griots recall
ancient royal courts and courtly music.
source of picture: www.un.org
The
kora, the stringed instrument of the djeli has been famous throughout much of
the West Africa since the Malian empire of the 1240s, the instrument traditionally
features seven cord until the Gambia griot Madi Woulendi that increased that
number to twenty-one. The kora can be played in many scales which include the
hypolydian mode (saouta), silaba, simbi and mandeka.
Mande
speakers are also called for the balafon, a type of wooden xylophone that came
in from Indonesia, the exact features of which can differ depending on the
producer. The Dagara, Bwa and Senufo tribe also have their difference.
The
Djembe percuss such as balafons, are often made in Bobo Dioulasso, the djembe
is a vital part of Burkinabe traditional music which is said to be of Malinke
origin. The musical instrument was manufactured from a single piece of wood,
which is usually from a cailcedrat or lenke tree.
The
bender percuss (which is known as bara in Mali and duma among the Hausa) is a
membranophone created from a gourd with the top cut off and covered with goat
or sheep skin. It is an ancient musical instrument that is possibly introduced
during the time of Naaba Oubri to be played in sacred music at the royal courts
of Moaga by a head percuss (benaaba), who strikes the centre or edges of the
drum to make different sound out of the instrument. Another cord instruments
that is known is the ngoni, the legend opines that it was created by a Senufo
hunter. The ngoni is also played in Niger, Senegal and Mali.
The
Fula people (fulbe) of the north play a different traditional instruments like
the drums, hoddu (or xalam, a plucked skin covered lute related to the banjo)
the riti or riiti (a one string bowed instrument) that is used for complex
vocal techniques with clapping drums, their griots are called gawlo.